Covid-19: Apple Mask Pro Graphic Design

If entered the medical mask market, Apple is expected to create expensive products such as Mask Pro for $ 400. Recently, netizens shared photos of a modern mask design, believed to be from Apple.

Covid-19 is spreading worldwide and greatly influences iPhone sales and production lines. Shortages of masks also occur in many countries. Designer Justin Ciappara shared his humorous idea about Apple’s “luxurious, genuine, expensive” medical mask.

With such interesting technologies, Apple Mask Pro is the product that Apple fans expect, and becomes an effective medical tool for doctors in healing.

Apple Mask costs $ 299 and Apple Mask Pro costs $ 399. The product is water resistant to a depth of 4 meters for 30 minutes. If you don’t have enough money, you can buy iMask, which is no different from a normal 3-4-layer mask, but is priced at $ 99 and can be antibacterial and filtered for an hour.


After being shared on social networks, Justin’s Apple Mask design image has attracted a lot of attention from netizens, especially Apple fans. Many people expressed the desire that the company would focus more on the mask market because in fact, many companies have done this.

Specifically, Foxconn Technology Group (Taiwan’s parent company of Sharp) has set up its own mask production line in Shenzhen to provide this product to the company’s workforce.

In Japan, Sharp will also begin manufacturing surgical masks from March, thereby becoming the first domestic company not in the health sector to do so. Or as Hon Hai Precision Industry, the world’s largest iPhone assembly company, is also expected to produce 2 million masks a day.

Going back to Apple, in addition to affecting iPhone sales and production, the company also gave employees to work at home and for those with Covid-19 symptoms such as cough, fever or difficulty breathing on leave. indefinitely and still get paid. This is a measure that the technology giant takes to prevent the spread of the Covid-19 epidemic, which is complicated worldwide.

Want to Learn Graphic Design? Self-Study Tips for Beginners (part 2)

Learn the basics

Identify areas before study

Choose carefully the field of graphic design that you want to pursue early: 2D, 3D, web design or motion graphic. You will know what tools you need to practice very deeply. For example, if you are determined to become an illustrator then Adobe Photoshop, Adobe Ilustrator and Wacom board are the first tools to learn.

Search for necessary tools

The standard software used in graphics is Adobe Photoshop and Adobe Illustrator. (If you really want to invest seriously, choose a full suite of Adobe Creative Suite, including Acrobat, Dreamweaver, Illustrator, Premiere, Photoshop, InDesign and After Effects.) While both are very easy to use, they have lots of great features and you will have to work hard to master them.

Join the design community

Practicing at home is a good and safe way to learn basic graphic design. You then need to bring your works to the public to receive feedback. It may be difficult at first, but put the ego aside and listen to different ideas. The results will be well worth it. It is also important to see other people’s works. You will not be limited to just one or two designs.

Every industry has a network that is an important element of graphic design, especially when you are freelancing. Make friends, stay in touch, be ready to learn and you’ll probably get jobs from relationships.

Develop you own style

You must find your own design style to express your brand, affirm your ability in the eyes of employers, in the eyes of the partner. Don’t be afraid to be different. Discover new design ideas and redesign old ones. Always remember that creativity is your best design tool.

In short, in order to succeed in self-study Graphic Design, besides knowledge, you also have to define your own style. The learning process will be better if you regularly update new trends in design.

Besides Gucci, which logos have been on trend ?

Despite being criticized for confusing logos, Gucci is still “creating a trend” on social networks. In the past, there were also logos of “stormy” brands.
Gucci “storms” with new logo scribbled like childish letters
On January 10, on Fanpage with 18 million likes, Gucci changed the avatar on social networking. Capital is the leading luxury fashion brand in Italy, representing an aristocratic and aristocratic lifestyle, the new image of Gucci is surprising. The fashion house uses the logo of a handwritten scribble like a child’s letter on a plain blue background. The words “Fall Winter 2020 Men’s Collection” even retain the shaky, uneven ink color

Previously, there were logo designs of brands that caused a stir. There are many times a brand has to edit, even remove the logo and replace it completely.

The analysis of logo images varies widely, from humorous remarks to accusations of evil-looking logos.

When the American crepe production chain IHOP for the first time improved their logo, which had been used for 20 years by adding a smile that did not offend anyone, they were accused of bringing a weak corporate image. fear factor.

Corsair technology company launched a new logo in September 2014, a month after the “Gamergate” scandal that caused women working in the industry to be harassed online and even threatened to be killed.

The company’s logo design for the game division featured two swords crossed at the hilt – this image was quickly condemned for looking like a tattoo on a woman’s lower back, a tattoo with a name: “tramp stamps” (the marks of a wandering man).

Procter & Gamble (P&G) also got in trouble with a series of accusations that forced it to abandon its logo.

This global consumer brand introduced the “man on the moon” brand image in 1851. But in the 1980s, rumors began to spread that ripples in the beard. and the man’s hair hides two horns and the inverted “666” image is a sign of a monster.

In 2007, they won $19 million in a lawsuit against rival distributor Amway spreading false allegations to link the image of P&G with Satan. Although P&G abandoned the Moon logo to replace it with a lettering logo, the image of the Moon quietly returned to their logo in the 2013 redesign.

Want to Learn Graphic Design? Self-Study Tips for Beginners (part 1)

If you don’t have the time, self-study Graphic Design is suitable for you. This will help you take the initiative to spend less time, but it also has some disadvantages that you should consider.

Studying Graphic Design by yourself takes quite a while. If you are a person who does not know anything about graphics then you will have a lot of difficulties in self-study. All the definitions in the design are numerous, but if you do not have a guide and explain those concepts in detail, you will have difficulty. When you do not understand the problem and have difficulty with it, it is easy to give up. You should understand the nature of tools and creative ways of thinking before getting started in the exercises.

Self-study graphic designers need to upgrade their knowledge regularly. You can not use the design and engineering from 5 or 10 years ago to use in modern design. Studying Graphic Design by yourself must know how to refresh yourself everyday, otherwise you will be eliminated very quickly in the industry. The problem of updating knowledge is not very difficult. You only need to pay attention to the upgraded version of the software and update the design trends as well as the design colors of the year.

In order to shorten the time while learning graphic design by yourself, you should practice regularly, this is very good in that you can draw experiences to make it faster and more beautiful. The more practice time you spend practicing, the shorter you will spend on learning Graphic Disign. During the study, you should not be too impatient. Make yourself a relatively large schedule for self-study. You will succeed quickly.

A designer must go through many obstacles. Those experiences will be shared by them through articles and tutorials. You will learn great experiences from those practices. Learn graphic design through tutorials that give you quick access to the latest trends and techniques. The remaining problem is how you will practice. Constantly updated constantly about knowledge of design and always find creative ways appropriate to their style.

Gaphic design trends in 2020

The begin of a new decade is frequently the sign for clean wondering and novel tactics to return to the fore, not least inside the ever-evolving global of photograph layout. in order we flow from the 2010s to the 2020s, what are the rising tendencies we ought to be retaining a watch on?

To take the temperature of creative opinion, we’ve spoken to layout experts in any respect levels of the enterprise to find out the developments they’ve been spotting, and the predictions they’re making. Study on as we monitor picture layout tendencies, masking the whole thing from logo layout to illustration, that look set to be large in 2020.

To take the temperature of creative opinion, we’ve spoken to design specialists in any respect tiers of the enterprise to find out the traits they’ve been recognizing, and the predictions they’re making. Study on as we display image layout developments, overlaying the whole lot from brand layout to instance, that appearance set to be massive in 2020.

  1. Intensifying minimalism
    In the latter half of the 2010s, we’ve visible minimalist, flat layout dominate the sector of virtual. And the designers at Grady Britton agree with the fashion is best going to heighten as we input the 2020s. “in keeping with advertising’s ongoing quest for transparency and honesty, layout will continue to strip away extra aptitude and embellishment and flow toward a far easier, straightforward presentation,” says organization creative director Brian Dixon. “it can even veer into deliberately unfinished at instances, as believability is the priority.”

Fashion designer Paul Levy consents. “The ubiquity of flat layout, regarding number one shades, easy, intuitive two-dimensional illustrations and clean-to-read kind, will continue to grow,” he predicts. And this is not pretty much aesthetics, however characteristic too. “the main advantage of flat design is in allowing customers to quickly interact with interfaces, and locate the content material they are searching out.”
And while flat design has a reputation for being cold and unfeeling, it needn’t be so. Certainly, senior artwork director Adam Murdoch believes that in 2020, “design minimalism will shift in the direction of the warm and comfortable, with interactive layout’s white-and-light, luxury logo coloration palette going heat and friendlier; and beige, sage and light yellow displaying up greater often.”

2. Abstract 3D and colourful
Perhaps as a backlash in opposition to the recognition of flat minimalism, we’ve seen abstract 3D bureaucracy entering their very own over the last yr. “software program updates that have democratised 3D render technology are assisting power this fashion,” notes Tamryn Kerr, accomplice creative director at VMLY&R. “The beautiful work produced for the Greenwich Peninsula festival by means of Droga5 is a extremely good example, both on the posters and animated for virtual. Like watching a well-designed lava lamp, a mesmerising bubble shape actions elegantly throughout the display screen, right away catching your attention and drawing you into the records piece.”

Alex Halfpenny, design director at Elmwood, paints a similar photo. “Neons, fluorescents and bright vibrant colors remain the move-to for designers to help layout stand out,” he stresses. “Favouring digital software, or special print colours, the addition of subtle gradients assist colorings feel alive, and provide layout a youthful and destiny-facing, constructive aesthetic.”

3. Type-best tactics
Have you ever observed how the variety of designs taking a type-most effective method appears to be growing? “Ultimately manufacturers are braving typographic layout over pictures and I expect we’ll see even greater companies adopt this attitude in 2020,” says Emily Benwell, virtual layout and advertising specialist at Liberty advertising.

In the meantime Chris Willis, head of layout at VMLY&R, feels 2020 ought to in the end be the 12 months of variable fonts. “There are several high profile designers already running in this area, so it’s poised to go mainstream,” he says. “This technology is specifically thrilling within the digital space, wherein the opportunities are limitless.”

And Grady Britton clothier Katie Larosa believes that type is most effective going to get more creative in this subsequent decade. “There’s these days been a fashion to break the regulations that, as designers, we by no means thought you may break,” she says. “In 2020, I predict we’ll see more formidable, decorative typography that pushes conventional limitations, and a few ‘bad’ layout carried out on reason.”

Frozen 2: Elsa Returns with High-Class Graphics

The sequel to Frozen takes us on a magical adventure of two sisters: the frozen queen Elsa and princess Anna.

Frozen is an inspired work based on the fairy tale The Snow Queen by Hans Christian Andersen and reinvented by Disney. The film is centered on the affection of siblings and redefines the true value of the phrase “happiness forever after”. Although Frozen 2 did not reach the previous level, the magical adventure of the main characters with the best soundtrack, certainly still more than able to leave the audience watching the movie and especially the children with unforgettable fairy moments.

Not only for the audience to be satisfied with the listening section, but this time Disney is also very hard to invest in the viewing. The company took the graphical engineering of Frozen 2 to a whole new level. Every little detail is meticulously cared for, making the film become sparkling, vivid, mesmerizing every frame, especially in the climax and especially underwater scenes.

Frozen 2 clearly expressed Disney’s ambition to extend the brand when the image and background of the story were clearly invested. If Frozen (2013) almost only takes place in the snow-covered kingdom of Arendelle, then Frozen 2 has a background stretching from the edge of autumn red forests, murky caves, to the ocean stirring.

The frames come to life with lots of hot colors. Graphics in the film have made great progress compared to the first part 6 years ago. Shaping of familiar human character groups are meticulously designed to each hair or needle thread.

Meanwhile, a series of “supernatural” characters such as Olaf, water horse or stone giant show the elaboration in every move and detail. The action is also authentic and has a smooth combination with the surrounding environment, such as a fluttering skirt fluttering in the wind or a patch of wet spots caused by seawater.

Compared to the first part, the series of scenes displaying Elsa’s icy power appears with much more dense and majestic frequency. That comes from the character having to go through many challenges, conquering many opponents in his journey.